I'm an avid film connoisseur, and have seen a lot of movies from all over the place, and every once in a while, I just want to put what I have seen out there. I'm also someone who is extremely critical about the films I watch, and I make a very clear distinction between movie and film. It's a lot easier to please Ebert and Roeper than yours truly. The last film I reviewed was Lars von Trier's
Breaking the Waves, a sheer genius piece of cinema, and sits at number two of my most favourite films of all time. You can find the review
here. The film I'm going to be introducing all of you to is a personal favourite of mine, and Canadian film to boot.
The Red Violin is an Oscar and Juno award winning drama directed by acclaimed French-Canadian director François Girard, who also directed
Thirty Two Short Films About Glenn Gould.
The Red Violin spans three centuries, five countries and languages, and tells the story of a violin and the lives of her various owners.
The tale of the Red Violin, a legendary and perfect violin by a famed violin maker, begins in Montreal, Canada, where it is being auctioned off. The story then jumps to the past, starting from the place of the violin's birth--Cremona, Italy. The violin then travels to Vienna and to the hands of a young prodigy in1700s, and then to Oxford in the 1890s and the possession of a famed English violinist, then to Shanghai at the height of the Cultural Revolution, and finally to Montreal in 1997.
Each owner the Red Violin comes in contact with tells a piece of history, presenting an unique and beautiful view of various countries and their cultures in points of time. The fact that it changes languages and settings is one of the most rewarding qualities about this film, and also maintains a good pace for story telling and doesn't allow it to get too dull. Girard does an exceptionally wonderful job when treating these various cultures, not to go completely off the map. What he focuses on, ultimately, is the effect the violin and its enigmatic charm has on its owners: sometimes, as a gift, sometimes as a curse. Under some directors, the plot would have fallen apart with the various shifts in perspective and languages, but Girard manages to maintain a theme throughout the various countries and time periods that keeps the story together.
The cinematography is wonderful in this film, and everything is precise and detailed. But what definitely makes this film a complete gem is the use of music. The violin solos, played by famed violinist Joshua Bell, is haunting and magnetic, drawing the audience into a spectacularly imaginary, and yet real world. The score, which won an Academy Award for Best Original Score for composer John Corigliano, is delightfully otherworldly, reminescing of the old world of classic music. And yet, each piece of music also reflects the time, people and country the violin inhabits.
What the story ultimately foretells is the magic of music, it's charm and mystery, and how it has captured people across time and across worlds, enduring all trial for it ultimately speaks of something universal that lies within the soul.